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TFA Partners with Orpheum and TKAAM for I AM NOT YOUR NEGRO

"It's unmissable and unforgettable." – Rolling Stone

TFA is proud to be part of Wichita’s theatrical premier of the 2017 Oscar-nominated movie I AM NOT YOUR NEGRO on Thursday, February 26th at 6pm at the Orpheum. Tickets are $10.

The gripping documentary, narrated by Samuel L. Jackson, examines America’s long and harrowing history of race relations, from the civil rights movement to the complicated present, through the eyes of author James Baldwin.

Tallgrass is all about community collaboration in bringing the best movies to Wichita and we are thrilled to once again partner with the Orpheum and TKAAM, responding to the community's request to make this film available here,” said Shan Jabara, Director of Acquisitions and Community Engagement. “I AM NOT YOUR NEGRO is a pivotal film inspired by a giant in American literature and civil rights. During these trying times of civil rights backlash, it seems only right to share the film together on big screen.”

TFA Presents the DoXX Spotlight: Celebrating Women Documentary Filmmakers

This International Women's Day, TFA is proud to announce a new women-driven, documentary competition - the DoXX Spotlight - debuting at the 15th annual Tallgrass Film Festival in October. We look forward to this showcase bringing much warranted attention to women filmmakers from around the globe.

The Women's Media Center notes that over the last 10 years, only about 20% of behind-the-camera Oscar nominations (directing, writing, editing, etc) have gone to women.  When examining the highest-grossing films since 2007, only 4% of the top 1,000 were directed by women.

Every year, many of Tallgrass Film Festival's most timely and challenging films have been made by women, particularly in the realm of documentary filmmaking. These filmmakers have taken oft tough subject matter and strong voices and have made films that tell essential stories from thoughtful perspectives. 

Eligible films will be documentary features directed by a woman, (male/female co-directing teams are not eligible) and will not have any traditional distribution deal (theatrical or VOD) at the time of the festival. Films are not bound by budget or country of origin.

Finalists will be selected by the Tallgrass Film Festival Programming Committee and will then be reviewed by a 3-woman jury of industry professionals including Beth Barrett, Artisitic Director, Seattle International Film Festival; Maisie Crow, Director, JACKSON (2016 Tallgrass Film Festival); and Debra Zimmerman, Excutive Director, Women Make Movies.

The top film, as selected by the jury, will screen as part of an evening spotlight during the festival with a reception, Q&A and special honors, to be announced. All finalists will be screened in regular competition at the festival, as well.

Submit your films online at Film Freeway or Withoutabox. Early bird submission deadline is March 15th. If you have already submitted your film and meet the eligiblity requirements, you will be automatically entered into competition.

Blayne Weaver Cuts to The Chase: It's just way easier to film a kiss than a shoot out.

Filmmaker Blayne Weaver first attended the Tallgrass Film Festival in 2013 to accept the Stubbornly Independent Award for FAVOR. Since then, he’s returned to Wichita several times and will be back again in April…stay tuned for more on that.

In the meantime, pre-order the 2016 TFF official selection Cut To The Chase on iTunes now, and learn more about shooting a feature film outside of Hollywood, tips for a successful kickstarter campaign, how late night filmmaker sessions at Tallgrass can help your casting choices and on how Blayne was blessed with the middle name Nutron.

TFA: Cut to the Chase is your fourth feature, what do you feel like you learned from your previous feature film experiences that you applied to  this film?

BW: That's a tough question because you learn SO MUCH on every job and every day on set. The most important thing for me on Chase was surrounding myself with talent who I trust and who trust me. A micro-budget action thriller definitely has its risks and there was no time for ego or attitude. I've learned to build a team that supports one another.

TFA: You’ve filmed movies all over the country, what was it like filming in your hometown?

BW: Shooting in my hometown of Shreveport, Louisiana was a joy. It sounds corny but the community really pulled together. Almost all the crew, most of the cast and all of the financing came from Shreveport so everyone was pulling for its success. We were offered free locations, picture cars, props... We even had neighbors making lunch for the entire crew.  It was an amazing homecoming.

TFA: Was this your first time using kickstarter? What advice would you give to filmmakers who are thinking of using crowd funding?

BW: This was my first time using Kickstarter for my own film. I helped out when writer/director Paul Osborne raised money for his thriller FAVOR (a past winner of the Stubbornly Independent Award) but this was the first time on my own. Here are my tips:

  • Be realistic about what you can raise. If you have less than 200 friends on Facebook, don't go seeking $20,000. You have to look at what is attainable. 
  • You must be vigilante, posting multiple times daily. Don't fool yourself- it's a job.
  • Toss your ego out. It's hard to ask for money. It just is. And if you want Kickstarter to work for you, you must be shameless about posting and asking for help. Don't worry about it. If you hit your goal and make a film, no one will remember that you were annoying on Facebook. 

TFA: Your first three features were much lighter in genre. What was the impetus for doing an action/thriller film and which  genre do you  prefer?

BW: My first three features were all romantic comedies (feel free to check out 6 Month Rule, Weather Girl and Outside Sales.)  The primary reason for directing Rom-Coms was budget. It's just way easier to film a kiss than a shoot out. My experience on Favor taught me how much can be accomplished on a minimal budget. I love getting to work in multiple genres but, I have to say... I love a good fight scene.

TFA: Can you talk  about your longtime collaboration with Patrick Day and why that works?

BW: Patrick and I met in acting class in Los Angeles when I was just 19 years old. Every week we would watch each other work and I just thought he was great. Paul Osborne wrote our respective roles in Favor for each of us, not knowing we knew each other. It was a really cool reunion and I wrote the role of Travis specifically for him. He's one of the most talented and genuinely kind people I know. I will cast him as long as he lets me.  

TFA: What was the casting process like for Cut to the Chase? Specifically for Lance Henriksen?

BW: Most of the roles in the film were written for specific actors: I worked with Erin Cahill on 6 Month Rule and wanted to write something for us to play siblings, the role of Travis I wrote for Patrick Day, all of the significant roles that were local cast like Patrick Kirton as the D.A and Luke Sexton as the ex boyfriend were written specifically for them.

Lyndie Greenwood was a find. I watched her play Jenny on the Fox Television show Sleepy Hollow and thought she brought forth the toughness and intelligence I wanted to see in Nola Barnes.

"The Man" was the biggest casting challenge. Last time I was at Tallgrass, some other filmmakers and I stayed up late brain storming on who would be ideal. Lance Henriksen was the perfect idea. We went to his agent and he liked the script and BOOM he did it. Lance is a total professional and a hell of a guy.

TFA: What advice would you give to someone  who is an actor,  who is directing themselves, and vice versa?

BW: Directing and acting can be really challenging for some. I've always liked it. It's important to maintain your objectivity and listen to your team. I always have someone I trust watching, whether it's a producer, script supervisor or the director of photography. It's important to put your ego aside and always keep in mind the story you're trying to tell.

TFA: Is there anyone specific who influenced your early film career?

BW: My two biggest influences came from my time on one set: a western called The Good Old Boys. The movie was directed by and starred Tommy Lee Jones. I guess one of the reasons that the director/star combo has always seemed natural to me is that I saw Tommy Lee do it so well when I was a kid. On that same set I played the little brother of Matt Damon. At the time, Matt was working diligently on a screenplay called Good Will Hunting. I responded to his desire to create his own work and it made me want to write.

TFA: Your middle name is “Nutron”…how did that happen?

Ha. My great grandparents were hillbillies. They had twin boys and named them Nutron and Nutree. Both boys hated their names so they went their entire lives being called Cotton and Slick. I was named after Nutron, which I always thought was funny because he hated his name so much. I love it, though. Good conversation piece.

Cut to the Chase hits On Demand, Amazon, Google Play and more on March 7th.

Academy Award Shorts Return to Wichita February 18-25

For the 31st  year, the Wichita Public Library will present free screenings of every 2017 Academy Award-nominated short film, including selections in the Best Live Action Short, Best Documentary Short and Best Animated Short categories. Sing (Mindenki), nominated in the live action short was an official selection of the 14th annual Tallgrass Film Festival.

Tallgrass founder Timothy Gruver was very proud of Wichita’s longstanding tradition of screening these cinematic gems, and always made a point to head to the library every winter to catch up on the films he wouldn’t otherwise be able to see. Tim was especially fond of the foreign films, as it is much more common for those films to receive financial support from the government, leading to exquisitely produced productions.

 “Short films are unique in that a single story is distilled to it’s true essence,” says Jon Gann, founder of the DC Shorts Film Festival and shorts programmer for festivals across the country. “A director's ability to touch, inform, entertain and elicit an emotional response in only a few short minutes is truly an incredible feat — especially since many short films are created by new talents with little or no previous experience.”

Sing (Mindenki), by London-based Hungarian director Kristof Deák, tells the story of young Zsofi, who is having a hard time fitting in at her new school. Her distress grows when the choir director treats her cruelly despite her love of singing. Along with her friend Liza, Zsofi investigates the revered teacher in an attempt to reveal her true nature.

“The music alone will draw you in but it is the immediately identifiable characters and circumstances that endear you to this story of friendship, inclusion and triumph of over repression, says TFA Co-Director of Programming Gretchen Mitchell. “It is an important reminder that your voice makes a difference.”

The free screenigs take place at the Wichita Public Library, the Orpheum and the Warren Theatre. Click here for the full schedule.

Interview with a (VR) Vampiress

We are thrilled to report on a recent collaboration between a few alumni filmmakers who met at the Tallgrass Film Festival and who are now working together on a film project. But not just any film project…take it away Ingrid Serban and Justin Johnson.

TFA: Ingrid, Justin, tell us about the project.

IS: The VR film that Justin, Forest (Sun) and I have been working on this January is the feature documentary, Strigoi, the Real Vampires of Transylvania. With nothing but a camera and the belief that she will go unharmed, a filmmaker returns to her roots in search of real vampires. (Yes, that’s Ingrid.)

TFA: How did you come together on this project?

IS: Justin and I were both on the filmmaker Advisory Board for Tallgrass Film Festival in 2016. I was immediately drawn to his zest for life, creativity and humble attitude. His enthusiasm doesn't stop at film but he genuinely cares for the people in front of his camera.  I had been thinking about doing a VR vampire piece in Transylvania. I've been fascinated with the VR medium and thought that a VR short film with the same theme as our feature would be a great product. When I heard Justin's Tallgrass Filmmaker Lab on VR filmmaking, it became clear to me that he was the best person for the job. 

JJ: It started with my overall obsession with all things VR - showing demos to people at the Tallgrass hotel room, and then doing a workshop on filming 360 video and Ingrid and Forest attended. At some point on one of the last nights of the festival, Ingrid asked if I'd be interested in coming to Romania and filming some 360 stuff, and I said 'of course'! 

TFA: What was it like working together?

IS: It was an absolute joy. I can't think of many people who would have gone through what we had to endure to get the footage for the film and not crack at the seams. Justin was a real trooper. He infused life and excitement into our project with focus and professionalism. Both Forest and I are delighted that we get to work on this project together. 

JJ: It's been great so far! I've loved seeing a new culture, and Ingrid is such a delight to work with. She's got a fantastic locomotion and a steady hand when it comes to directing and producing - methodical and smart. She sets her mind on something and gets it done. Plus, she's super fun to hang out with!

TFA: What were the best and trickiest moments you experienced?

JJ:  Well, we survived an overnight stay in a cabin up in a nearly deserted village in Romania, with no running water (pipes had frozen) and an outhouse…an adventure for sure.

IS: The environment we filmed in was trying to say the least. Without giving away too much, suffice it to say that for a weekend, we lived somewhere at the crossroads of freezing, gagging and sleep deprivation. What made it bearable was our own determination, the sweetness of one of our hosts and the incredible landscape and chilling stories we recorded.

TFA: So we have to ask, did you find any vampires?

Yes. Two. Was I able to film them in the act? Not so much. I have witnesses on tape. Scary stuff.

TFA: What else do you want people to know about the film? And when can we see it?

IS: I am excited to be able to share this land, people and stories with the world in VR form; a truly unique and intimate way to share this experience. The VR short film will accompany the feature documentary where possible or travel on its own. We intend to have it available for the fall of 2017 and 2018 film festival circuit. 

TFA: Anything else you’d like to share?

IS: I am eternally grateful to Tallgrass Film Association for putting on my favorite film festival. Having been there two years in a row, it now feels like home. The life and productivity of filmmakers rests heavily and joyfully in collaboration. It is places like Tallgrass Film Festival that lead the way into a brighter future because we all get to shine together. 

TFA: Aw, shucks. We love you guys too and we can't wait to see the movie(s.) As for whether they found any vampires, guess we'll just have to wait and see...

2016 Tallgrass Official Selections: In The News & Now Streaming

TFA sends hearty congratulations to three films from the 2016 festival that were nominated for Academy Awards, including A Man Called Ove and The Salesman for Best Foreign Language Film; and Sing, for Best Live Action Short. Additionally, Free In Deed was nominated for the 2017 John Cassavetes Award at the Independent Spirit Awards. Wichita will be rooting for you!

In addition, we’re especially excited to share these 2016 Tallgrass Film Festival titles that are now available on Netflix, streaming or on-demand. These films deserve to be seen by the masses and we’re proud of all the blood, sweat and tears that these Stubbornly Independent filmmakers put into their projects. If you saw them at Tallgrass, share them with a friend or watch them again!

A Man Called Ove, 2017 Academy Award Nominee, (Music Box Films): Rent or purchase on VOD platforms

Author: The JT LeRoy Story (Magnolia Pictures: Rent or purchase on VOD platforms

Closet Monster (Strand Releasing): Rent or purchase on VOD platforms

Growing Up Coy: Now on Netflix

Harry Benson: Shoot First (Magnolia Pictures) - Rent or purchase on VOD platforms

Mad Tiger (Film Movement): Now on Netflix

To Be a Miss, U.S. Premiere/14th annual Tallgrass Film Festival (Cargo releasing): Now on Netflix

Underfire: The Untold Story of PFC Tony Vaccaro (Cargo Releasing): Now on HBO Go

Tallgrass TV: Alicia Slimmer

Tallgrass TV Host Naythan Smith sat down with Creedmoria filmmaker Alicia Slimmer at the 14th annual Tallgrass Film Festival. The film was both a 2016 Stubbornly Independent nominee and winner of the Golden Strands Programming Award for Best First Feature. Writer/Director/Producer Slimmer borrowed many elements from her own life growing up in Queens, NY, in the 1980s.

Indie Filmmaking Pro Tips:

  • More money was spent on Munchkins than on any other prop because the crew kept eating the "picture food." (Who can blame them, really?)
  • Alicia personally made all 72 deviled eggs you see in the film.
  • She dodged getting a ticket for doing donuts in a parking lot by putting the cops in her film. (Ingenious!)

Tallgrass TV: Beth Dewey

Tallgrass TV host Aaron Wirtz chats with Director/Co-Writer Beth Dewey about Erasing Eden, a 2016 Stubbornly Independent nominee.

Dewey's filmmaking experiece includes working for the legendary Roger Corman, and as a picture editor for the Oscars, she has been nominated for 3 Primetime Emmys.

To Beth, Stubbornly Indepndent means "not only means taking risks but means blasting through one's own comfort zone to approach storytelling in original and unconventional ways. It means telling uncomfortable stories to shine a light on social issues in an effort to better humanity. It means persisting to make a film when all roads lead to "no" and pushing through to honor the voice inside."

Tallgrass TV: Brad Johnson, Ian Nelms & Eshom Nelms

Meet Producer Brad Johnson and Ian Nelms and Eshom Nelms, three of the filmmakers who participated on the 2016 Filmmaker Advisory Board. The Nelms brothers have screened two feature films at Tallgrass including Lost On Purpose and Waffle Street, both of which starred James Lafferty and the latter of which was produced by Johnson.

Together, they will premiere their new film Small Town Crime, starring John Hawkes and Octavia Spencer, at the 2017 SXSW Film Festival.

Marci Hawks Joins TFA as Executive Director

Tallgrass Film Association has hired Marci Hawks as its new Executive Director. Marci began with the organization in mid-November.
She comes to us with 12 years of service in the non-profit sector, most recently as Director of Development and Community Relations with Wichita Habitat for Humanity.  In that role, she served as the organization’s lead fundraiser as well as managing public relations and marketing.  She brings significant relationships and skills to will be a tremendous benefit to Tallgrass.
 “I am thrilled to be part of the Tallgrass Film Association and look forward to assisting the organization with its growth and stability, working to maintain its excellent reputation while building on its reach and impact," said Marci. "Tallgrass is an outstanding organization and community asset, and I am anxious to roll up my sleeves and get to work with the team.”
TFA also welcomes several new Directors to its Board in 2017, including Art Busch, Jamil Malone, Jennifer Ray, Janice Van Sickle, and past president Paul Witte returns as well.

Tallgrass Staff on the Move

2017 brings staffing changes for Tallgrass Film Association as we welcome Denise Bullock to the Tallgrass team. Denise comes out of retirement to serve as the organization's Finance Director.

Meanwhile, longtime TFA Executive Director and Co-Founder Lela Meadow-Conner remains with the organizaton as Creative Director. She'll play an integral role in stewarding the Tallgrass brand. Collaborating with the Executive Director and Programming team, she'll help to cultivate year-round programming opportunities, and oversee the organization’s marketing and communication efforts. Representing Tallgrass Film Festival throughout the film industry, the Creative Director conceives the festival’s aesthetic, and develops and implements its educational programming, while elevating the filmmaker experience.

Nick Pope, who became the organization's second full time staff member in 2014, adds Director of Education to his existing title of Director of Programming. Nick, who has a film degree from the University of Kansas,  started as a print traffic volunteer in 2003 after graduating from college and worked his way up the programming ladder. In addition to overseeing the programming team, he will cultivate TFA's growing year-round educational offerings for students and amateur and professional filmmakers in the Wichita area.